HI FI DOLBY SURROUND 5.1 KENWOOD MOVIE
Note that not all receivers with DPL II's Movie mode have the Music mode (see below). A few Marantz and Yamaha models have it Sony does not. A quick (and by no means complete) survey of mainstream and upscale receiver brands reveals that all Harman/Kardon, Denon, and Onkyo (Integra, too) A/V models have it. Take any classical or jazz stereo recording (DPL II works especially well with acoustic performances) and give it the DPL II treatment.Īre you convinced now? DPL II is almost as good as Dolby Digital 5.1! Who's Got It? Or perhaps the first two tracks from Sting's Brand New Day or Alan Parsons' On Air. Now play track 4, "Because You Loved Me," from Celine's album, or track 1, "Telegraph Road" from Dire Straits.
If the receiver has DPL II control options-and most do-set Panorama to off, Dimension to 0, and Center Width to 3. Got an old copy of Dire Strait's Love Over Gold or Celine Dion's All the Way: A Decade of Song, kicking around in your CD rack? Check your receiver (you may already have DPL II and not know it) and switch it to DPL II, Music mode. Moreover, DPL II naturally extracts all the ambience and directionality that already exists in the stereo recording. DPL II delivers two full-range stereo surround channels, 20 Hz to 20 kHz, not a rolled-off mono channel "band-limited" at 7,000 Hz (nothing above 7 kHz, and in my quarters, that ain't hi-fi). It sounded like mono with muffled ambience.ĭPL II, however, is an entirely different experience.
HI FI DOLBY SURROUND 5.1 KENWOOD PRO
Remember how disappointing Dolby Pro Logic was whenever you tried playing a CD or stereo album through it? Everything collapsed into the center channel. Because when you switch on DPL II (included in many new up-market receivers and even a few entry-level models) and play just about any two-channel stereo CD, even vinyl or a laserdisc (remember those?), DPL II produces an utterly natural-sounding 5-channel surround experience that, in its precise directionality and spatial expansiveness, rivals that of Dolby Digital 5.1-channel discrete soundtracks!īut how much better can DPL II be than old-fashioned Dolby Pro Logic, now more than 10 years old? I'll tell you: a lot. It's called Dolby Pro Logic II (DPL II for short) and if you haven't heard it yet, you're going to love it-and want it. And get this: you likely already own the software! It extracts these effects not from the latest Dolby Digital DVD release from Blockbuster but from your existing collection of stereo CDs and old Dolby Surround movies. Make no mistake: Dolby Digital 5.1 and DTS do deliver a home theater experience that often rivals and sometimes exceeds its theatrical equivalent.īut somehow lost in the stream of promotion for DVD, Dolby Digital, DTS, and their offspring is a quiet little Dolby Labs processor that in many respects offers surprising and spectacular effects. Those of you who've spent hard-earned dollars in the last couple of years on a killer new Dolby Digital/DTS A/V Receiver may think you have it all-discrete Dolby Digital 5.1-channel surround sound as well as further evolutions of it and DTS (THX Surround EX, DTS-ES, etc.). Dolby Labs' Stunning New Circuit Extracts a Goldmine of Hidden Spatial Cues from Stereo CDs, LPs, and old Surround Movies
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